“I think that Australia is doing an unbelievable job. “I have no idea what’s ahead,” Goodwin said. Julie Lea Goodwin, who leads the show along with Alexander Lewis, said she was thrilled to be back performing but after a nine-month hiatus the uncertainty of the pandemic still loomed. The outbreak of over 180 cases first emerged in December in Sydney’s northeast but has since sparked other clusters, including in Melbourne.Īreas of Sydney remain under lockdown and officials have suggested further restrictions may be needed to curb the spread - which could include a change to audiences at indoor performances. Thanks to Australia’s success in suppressing the virus, crowds inside venues - including the Sydney Opera House - have been permitted in the country’s most populous city for months.īut even as the performers readied for their opening night, an outbreak in the city forced officials to tighten restrictions - including a new mandate on mask-wearing on public transport and in many indoor settings from midnight Saturday. “I think throughout this year, other opera houses will be opening very soon and people will be coming back to the theatre with a sense of hope.” “Walking back into the theatre was a very emotional time for everyone involved,” he said. “The Merry Widow” will open on Tuesday to masked audiences up to 75 percent capacity, in a sign of hope for a performing arts industry crippled by the pandemic, artistic director Lyndon Terracini told AFP. The finishing touches were being put on a glitzy show at the Sydney Opera House Saturday, as the venue prepared to host an opera crowd for the first time since March.
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